Social & Cultural Historian of Music
Leanne
Langley
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The English musical journal
Italian opera and the English press
Why was 'The Harmonicon' so important?
The musical press in 19th-century England
Editorial practice in music lexicography
A tale of two myths
Researching Victorian music journals
A 'Dictionary of Musicians' in 1824 - why?
Undergraduate music modules
J.S. Bach and Victorian progress in 1851
Reference work entries
Making the first 'Grove' music dictionary
Henry Wood on screen
Berlioz in Britain, 1870-1920
Building an orchestra, creating an audience
A visionary leader of Proms achievement
What Schubert did for music in Britain
Word, tone, shape
Music in the life and work of J.S. Sargent
Novello's 'Neue Zeitschrift'
Sir Thomas Beecham, a 'Great Life'
Founding the Philharmonic
Luting the past
Loose canons
Piano stool Beethovens
Women in the band, 1913
Sir Henry's hoard
Music and social meanings
Street music
RPS Green plaque
The sound that burned
Joining up the dots
Claiming Schubert
A place called Morley
200 years of the RPS
A place for music
Step change
RPS pre-concert talks
Art music
BBC iWonder Guide
Haydn plaque
Lady Chatterley's Lover
BBC Proms Extra: 1895
Publisher's reader
Family papers
Practice-based research training
Musical times
Sargentology
Overlapping voices
Staff Sargent
Taking stock
Business, culture and power
New Philharmonic Society
Beethoven in Britain
Proms audiences
British Library Beethoven Exhibition
London unwrapped
Pupils and teachers
Ideas of music research
Saint-Saëns today
Opera & British print culture
The Royal Musical Association
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